Today Show Friday am
Rehearsal show CAA arena Friday
Hahtfud Tuesday 02 October, where I will be reporting from the floor...(thanks Meg for your quick work.....!)
26th September 2007 09:45 AM
GotToRollMe
Glad to see you're going, Nelly!
26th September 2007 12:02 PM
Gazza
quote:Nellcote wrote:
Today Show Friday am
Rehearsal show CAA arena Friday
Hahtfud Tuesday 02 October, where I will be reporting from the floor...(thanks Meg for your quick work.....!)
Yay!!!!!!!!!
26th September 2007 12:03 PM
Gazza
quote:glencar wrote:
Last night? When does the actual tour start?
October 2. Hahtfud.
26th September 2007 12:17 PM
pdog
quote:Nellcote wrote:
Last night's setlist:
Radio Nowhere
Prove It All Night
Lonesome Day
Gypsy Biker
Magic
Night
She's the One
Livin' in the Future
The Promised Land
Town Called Heartbreak
Darlington County
Born in the U.S.A.
Devil's Arcade
The Rising
Last to Die
Long Walk Home
Badlands
* * *
Girls in Their Summer Clothes
Thundercrack
Born to Run
American Land
No b-stage rarities, no mixing up the setlist... Predictable, already phoning it in!!!!
26th September 2007 12:24 PM
G. The Cock
quote:Gazza wrote:
Oh, its been out there in mp3 for a while on sites like demonoid etc (I've had it for a couple of weeks now) but I think that link I posted was the first one to make it available in pristine sound quality from an official source.
You can certainly hear things that arent really that audible on the mp3 version
Gazza, the mp3 files available from the newsgroups actually are obviously generated from the original CD, at least the version I've got is from a perfect quality recording (minus the mp3 compression of course!)!
Bruce Springsteen & The E Street Band
Convention Hall
Asbury Park NJ 9-25-07
AT943's>SBM1>D-8
Here is Rehearsal #2 for the upcoming
Magic tour.
Disc 1
1. Radio Nowhere
2. Prove It All Night
3. Lonesome Day
4. Gypsy Biker
5. Magic
6. Night
7. She's The One
8. Livin' In The Future
9. Promised Land
10. A Town Called Heartbreak ( Patti's Material )
11. Darlington County
12. Born In The USA
13. Devil's Arcade
Disc 2
1. The Rising
2. Last To Die
3. Long Walk Home
4. Badlands
5. Girls In Their Summer Clothes
6. Thundercrack
7. Born To Run
8. American Land
26th September 2007 08:42 PM
Gazza
Sinister Magic
Bruce Springsteen Comes Home ... to Hell
By HARRY BROWNE
There are a few ways you can be both a political artist and a rock-star, and Bruce Springsteen has been trying them out for almost four decades now. You can write songs that adopt and/or explore the perspectives of people without power. You can offer moral and financial support to progressive causes, mostly low-key and local. You can go on the stump nationally for a presidential candidate. You can trawl the folk tradition and try to revive interest in some of its more radical manifestations--and while you're at it you can take an archival curiosity like 'How Can a Poor Man Stand Such Times and Live?' and reshape it into a great and bitter song about New Orleans and Katrina.
Springsteen hasn't so far taken the Neil Young approach--release an evidently heartfelt but often risible collection of agitprop songs in the apparent hope they'll become the soundtrack for a (nonexistent) mass movement. (That was Young last year; this year is sure to be different.) And because Springsteen again avoids that tack on his new album, Magic, there has been a murmur afoot, since the album leaked on the internet in early September, that Bruce has (in the words of New York magazine's Vulture blog) "gotten the politics out of his system."
Politics for Springsteen is not, however, some infection to be purged, but apparently a part of his intrinsic make-up. Despite only a song or two that can remotely be said to be 'about' particular issues, and despite the absence of the lovingly detailed wretched-of-the-earth who occupied The Ghost of Tom Joad and Devils & Dust, Magic is a devastatingly political record, if not always in the predictable ways. It is, for one thing, permeated with war, foreign and domestic, present and past. If this artist has spent two decades wandering the highways and byways of America in search of sounds and stories and themes, on Magic Bruce Springsteen comes home, to New Jersey (no more drawl), to rock & roll (the E Street Band denser than on any record since Born to Run), to the Sixties (for what is more homely than our memories of the period of our own youth?). And home--the home-front, if you like--turns out to be apparently comforting but also fraught, a place of lying, cheating, misunderstanding, and clinging on for dear life.
On Magic, the words 'Vietnam' and 'Iraq' are never sung, but the two wars and the two eras shout out to each other across the musical din.
Partly this is about the sound: with the help of Brendan O'Brien's almost monaural production, we hear bits of Sixties pop, including a big dose of Beach Boys that should help us place the slightly bitter sweetness of 'Girls in Their Summer Clothes' firmly in the narrator's distant past: the song's portrait of a buzzing small town makes it a companion piece to 'Long Walk Home', where we hear about the same place in countrified 21st-century alienation mode. (In 'Girls', a waitress brings coffee and says "Penny for your thoughts"; in 'Long Walk Home', the diner is "shuttered and boarded with a sign that just said 'gone'.")
But the album's sounds are also of the present day, including echoes of the acts who in turn owe so much to Springsteen: Arcade Fire, the Killers, Lucinda Williams. Even the resonant orchestral sound of Irish-ironist band The Divine Comedy is audible on a couple of tracks. Those who insist on caricaturing him as a musical conservative should at least note how Springsteen's last project started with a tribute to Pete Seeger and ended up sounding like the Pogues.
On first listen, especially to the lyrics of 'Long Walk Home', there is more than a faint whiff of nostalgia here, political and otherwise:
My father said "Son, we're lucky in this town,
It's a beautiful place to be born.
It just wraps its arms around you,
Nobody crowds you, nobody goes it alone
"The flag flyin' over the courthouse
Means certain things are set in stone.
Who we are and what we'll do and what we won't"
But sniff again. The nostalgia for the golden community of a past generation that seems to permeate 'Long Walk Home' and that is implied in much of 'Girls in Their Summer Clothes' is undercut sharply by 'Gypsy Biker', which precedes 'Girls' on the album. 'Gypsy Biker' is a lament for a friend killed in war, and there's no reason to say it isn't in Iraq--the friend has been sent "over the hill" with the cry "victory for the righteous", and the benefit going to "profiteers" and speculators"--but the wailing rock guitars, and the emotion in Springsteen's wailing voice, reach back 35 years or more. The biker culture that is invoked as the dead man's friends "pulled your cycle up out of the garage and polished up the chrome" (itself a line echoing from an Eighties Springsteen song about a Vietnam vet, 'Shut Out the Light') then burn it in the desert is emblematic of the Vietnam era, though that culture persists to this day. The evocation of domestic turmoil about the war ("This whole town's been rousted / Which side are you on?") is, unfortunately, more redolent of 1970 than 2007.
Even the idea of Springsteen writing about a Gypsy Biker after decades in which his white working-class characters have mostly been rather blander, bleached into some version of universality, is something of a throwback to the early Seventies.
In short, the beloved Gypsy Biker may have been killed in Vietnam, or in Iraq. Being a fictional character, indeed, he may have died in both wars. Either way, "To them that threw you away, you ain't nothing but gone."
To Springsteen, product of the Sixties, the personal is political. The album starts with a sort of animating first track, 'Radio Nowhere', a largely successful attempt at a kick-ass declaration of life-in-the-old-guy-yet, as the narrator, "trying to find my way home", rocks through a familiar Springsteen lexicon of location and desperation in search of human and musical connection. It's not hard to hear "Is there anybody alive out there?" as a plaintive cry about Life During Bushtime. Then the next three tracks are apparently 'relationship' songs that might not be out of place on 1987's marriage-on-the-rocks album, Tunnel of Love. Given that the present Mrs Springsteen, Patti Scialfa, has just released Play It as It Lays, a fine album of often cuttingly intimate new songs that must have Bruce blushing and squirming even more than other long-lasting husbands who happen to hear it, it's tempting to listen to these songs for his side of the story.
But unlike on Tunnel of Love, he keeps inserting lyrics that indicate wider significance. 'You'll Be Comin' Down' and 'Your Own Worst Enemy' are titles it's easy enough to politicize, and the words oblige. The self-loathing you-cum-I of the latter song is uncertain of his social identity, his place in the world. "The times they got too clear / So you removed all the mirrors Your flag it flew so high / It drifted into the sky." The protagonist of these songs could easily be the United States of America--this sequence almost ends up sounding like a joke about the intense identification between Springsteen and his country that has trailed him since 'Born in the USA'.
He has most fun with this murky idea on 'Livin' in the Future'. (It's true, Springsteen has rarely meet a letter-G he couldn't drop.) A pop-rocking tune in 'Hungry Heart' mode, and again ostensibly about a troubled relationship, its chorus is a paradox and an instant classic in the annals of false comfort:
Don't worry, darlin'
No baby don't you fret
We're livin' in the future and
None of this has happened yet
If only. The second verse reminds us that Springsteen, as John Kerry's musical mascot, had a peculiar stake in the last presidential poll. The narrator wakes on election day, whistles the time away
Then just about sun down
You come walkin' through town
Your boot heels clickin' like
The barrel of a pistol spinnin' round
I wonder who that could be? Yet on an Internet message board for Springsteen fans, a contributor get roasted for suggesting this song is political. Sadly, or perhaps magically, once the E Street Band starts touring next week, there will be arenas full of people bopping to this song as though its chorus could somehow be literally true.
By its end 'Livin' in the Future' is at least in part a self-parodying memoir of Springsteen's failed electoral venture:
I opened up my heart to you
It got all damaged and undone
My ship Liberty sailed away
On a bloody red horizon
The groundskeeper opened the gates
And let the wild dogs run
My faith's been torn asunder
Tell me is that rollin' thunder
Or just the sinkin' sound
Of somethin' righteous goin' under
'Righteous' is a word that crops up more than once on Magic--though not as often as the keynote, 'home'--and while the charge of righteousness sometimes seems to refer to the American political posture, one senses that Springsteen is also pointing the finger at himself.
The John Kerry relationship re-appears, as does the Vietnam connection, in more obvious form in 'Last to Die', the album's clearest polemical song 'about' Iraq and the first in a three-song suite that closes the album with deadly serious State-of-the-Union intent, albeit with continuing vibrations of personal politics. 'Last to Die' is a sketch, drawn from inside the traditional Springsteenian bubble of a car driving away from something (and toward "Truth or Consequences") on some American road--a sketch of the home-front's alienation from the terrible reality of war and of the rending of the social fabric. ("Things fall apart," he sings, inviting us to fill in the rest of Yeats' 'The Second Coming', which funnily enough was also a feature of the final episodes of The Sopranos. It's a Jersey thing.) From the car radio comes a voice, "some other voice from long ago," and the chorus that follows is lifted, loosely, from John Kerry's brilliant 1971 testimony to the Senate foreign-relations committee:
Who'll be the last to die for a mistake
The last to die for a mistake
Whose blood will spill, whose heart will break
Who'll be the last to die for a mistake
(At least the narrator is not listening to Radio Nowhere; more like WBAI.)
Except that he tells us Kerry's voice is from "long ago", 'Last to Die' is another song that could be set a generation ago. As it is, however, the chorus needs to be sung today precisely because Kerry and his ilk now lack of the courage of their earlier convictions. "We don't measure the blood we've drawn any more," Springsteen sings. "We just stack the bodies outside the door." As the guitars drop away momentarily, from the car there is a glimpse of reality, perhaps a news promo seen in the window of a TV shop:
A downtown window flushed with light
"Faces of the dead at five"
A martyr's silent eyes
Petition the drivers as we pass by
The song concludes in full rock & roll roar with a vision of "tyrants and kings strung up at your city gates," so maybe Bruce won't be going the electoral route in 2008.
It isn't the only vision on this album, which has more elements of prophecy than propaganda. Even the 'love song', 'I'll Work for Your Love', is an ode to a bar-waitress written as a half-jokey exercise in extended religious metaphor:
Pour me a drink, Teresa, in one of those glasses you dust off
And I'll watch the bones in your back like the Stations of the Cross
The last song, 'Devil's Arcade', is the among the album's most literal: a lover recalls portentious, and passionate, youthful episodes with a man, then tells the story of than man enlisting, being wounded, probably by an IED ("Just metal and plastic where your body caved"), being hospitalised and returning home to fragile life, "the beat of your heart" repeatedly seven spine-tingling times over a slow rhythm. But there are meanings that are harder, in every sense: the Devil's Arcade could be the war, but Springsteen also uses the phrase as he describes the characters' first sexual experiences. This is no simple and simplistic exercise in painting devil's horns on George W. Bush.
Springsteen has rarely been so difficult. At its most challenging, Magic is an attack on American cruelty and pretensions, on the indifference of its political class; but it is also a continuation of the occasional auto-critique that in the last two decades has seen him write scathingly about "a rich man in a poor man's shirt" ('Better Days') or admit that "The highway is alive tonight / But nobody's kidding nobody about where it goes" ('The Ghost of Tom Joad'). The name of the album, Magic, draws attention to his self-referential intent: no words in the Springsteen Canon are more beloved than the audience sing-along line from 'Thunder Road': "Show a little faith, there's magic in the night ... " But here, magic is something entirely more sinister.
The slow title track is sung from the perspective of a conjuror who runs the listener through his ominous bag of tricks, including his capacity to escape the "shackles on my wrists" that are probably the most potent global symbol of today's USA. "Trust none of what you hear / And less of what you see," he then sings, and the political meaning for media consumers is clear enough. But with the song's passing references to a river and a rising, you also sense something of a personal confession. That Magic publicity shot of 58-year-old Springsteen with a biologically unlikely full head of thick dark hair, wearing tough-guy chains and clutching the old Telecaster, its famed wood veneer cracked with age--is that just another untrustworthy image from the Magician's PR department?
On an album of screaming guitars, crying sax and mourning organ, one that often feels haunted by perdition, at best, and apocalypse, at worst, the song 'Magic' takes the most directly prophetic form, every verse ending with "This is what will be." And, as always, prophecy is not about the future. Springsteen reads America's past, the 'strange fruit' of racist lynchings echoed in the disaster of Katrina, the spectre of domestic refugees in the shadow of the political uses of terror, and emerges with a vision of hell:
Now there's a fire down below
But it's coming up here
So leave everything you know
Carry only what you fear
On the road the sun is sinkin' low
There's bodies hangin' in the trees
This is what will be
This is what will be
Magic by Bruce Springsteen is officially scheduled for release on vinyl in the US on September 25th and on CD October 2nd. It is on sale in Europe and elsewhere later this week.
Harry Browne lectures in Dublin Institute of Technology and writes for Village magazine. Email [email protected]
www.counterpunch.org
26th September 2007 10:07 PM
PartyDoll MEG
Thanks for posting, Gazza!!
Bruce has done it again. I have analyzed these songs over and over again..like any good Bruce fan loves to do. I don't agree with all of this writer's interpretations, but the beauty of his lyrics is you can analyze them in many different ways given the mood you are in when you listen. Relationships, war and it's after affects, growing old, societal problems, politics, and disappointments... but never without hope.
27th September 2007 07:34 AM
Gazza
"Radio Nowhere' from Tuesday's night rehearsal show
A few Highlights:
"Already acclaimed as a return to the ebullient style of those classic crowd-pleasers Born to Run and Born in the USA, and hailed ahead of its release as his most significant work in years, it's a great piece of work, its pumped-up wall of sound and lacquered surfaces disguising the kind of troubled ruminations on society and morality that have made Springsteen the pre-eminent political songwriter of his era. Not that everyone sees it that way, of course. His manager Jon Landau, for instance - the man who, as a Rolling Stone rock critic, came up with the now legendary claim: "I have seen rock'*'roll's future, and its name is Bruce Springsteen" – has described Magic as "a very bright record", the primary intention of which is not political. To which one can but respond in the time-honoured manner of aggrieved NME letter-writers: "Was he listening to the same record as me?" Songs such as "Gypsy Biker", " Last to Die", "Devil's Arcade" and "Your Own Worst Enemy" are not just clearly political, they represent the most complete and damning denunciation of Bush's foolhardy adventurism in Iraq yet thrown up by rock music."
"For me, the success of this latest batch of songs resides in the way Springsteen approaches his subject. Firstly, the big issue is never mentioned directly, looming intangibly instead, as he depicts the effects of combatants' death or disability on friends and relatives in the US – a distancing technique that has the paradoxical effect of bringing the war closer to home. Secondly, in order to convey the longer-term ramifications of the conflict, several songs feature projections into a scarred, uncertain future, rather than into the romantic past that once dominated his albums. And thirdly, there is – or there "appears" to be, I should perhaps phrase it in the circumstances – an underlying theme of illusion and deception running throughout the album that surely allegorises the ethical sleight-of-hand that has thrown his country's moral compass out of alignment. Betrayal is a constant companion in these songs, whether it's the craven media lambasted in "Radio Nowhere" as Bruce vainly spins his radio dial searching for "a world with some soul", the " speculators [who] made their money on the blood you shed" in " Gypsy Biker", or the "sinkin' sound of somethin' righteous goin' under" as the groundswell of post-9/11 patriotism is hijacked to perfidious ends in "Livin' in the Future". As Springsteen warns in the title-track, "Trust none of what you hear, and less of what you see. "
Thankfully, Springsteen's political gyroscope has since re-levelled, and he played an important part in the Vote For Change campaign encouraging the young, poor and minorities to register to vote, and his song "No Surrender" was adopted as John Kerry's campaign anthem during his unsuccessful run for president. And in 2006, Springsteen became absorbed in the project honouring the activist folk-singer Pete Seeger, for so long America's conscience, recording a selection of politicised traditional songs associated with Seeger in rumbustious hootenanny manner. It seemed to some like an acknowledgement of his true heritage, an acceptance that ultimately, he would have to assume Seeger's mantle as People's Tribune, and that when that time came, he would do so willingly.
With Magic, he's getting his troops back in line behind him. It's Springsteen's most complex, textured work in years, as rich as any in his catalogue, with songs that both challenge, inform and entertain. He once observed, in his lyrics anthology Songs, that a song's emotional centre is dependent on the fellowship the writer feels with his subject, that when a lyric falls perfectly into place, "your voice disappears into the voices of those you've chosen to write about". On Magic this happens time and time again, as he proves himself a master of the empathy required to bring his characters to life in all their contradictory, multiple selves. "
Bruce Springsteen & The E Street Band
Convention Hall
Asbury Park NJ 9-25-07
AT943's>SBM1>D-8
Here is Rehearsal #2 for the upcoming
Magic tour.
good quality?
27th September 2007 11:26 AM
PartyDoll MEG
quote:Ade wrote:
good quality?
Listening now Ade.. not bad..sound a little distant..
but I still get goosebumps
27th September 2007 03:23 PM
Ade
thanks Meg- i'll give it a listen
27th September 2007 09:18 PM
robpop
quote:Nellcote wrote:
Last night's setlist:
Radio Nowhere
Prove It All Night
Lonesome Day
Gypsy Biker
Magic
Night
She's the One
Livin' in the Future
The Promised Land
Town Called Heartbreak
Darlington County
Born in the U.S.A.
Devil's Arcade
The Rising
Last to Die
Long Walk Home
Badlands
* * *
Girls in Their Summer Clothes
Thundercrack
Born to Run
American Land
No LOHAD. Good that song was getting over-played. I could think of a few dozen songs that would be better in the encore slot instead of LOHAD.
[Edited by robpop]
28th September 2007 11:22 AM
Factory Girl
I'm seeing him for the 4th time 11/12 in WDC! Can't wait!
I need...a good Bruceing!
28th September 2007 11:54 AM
Saint Sway
did anyone see him on the Today show this morning??
my pop called to tell me he was on but I missed the message. I'm sure it'll probably surface on youtube any minute now...
30th September 2007 06:49 PM
PartyDoll MEG
From 9/28/07 Rehearsal:
Damn!! Wish I could be at the first show! Have fun Nelly!!
[Edited by PartyDoll MEG]
30th September 2007 08:06 PM
ebmp
http://youtube.com/watch?v=PwLfgH6D_EA
Long Walk Home from the Today Show... OMG this song is amazing! Although the Big Man screwed his solo on it
Long Walk Home from the Today Show... OMG this song is amazing! Although the Big Man screwed his solo on it
Clarence was off all morning. I think, generally, the saxophone should not be played during daylight.
2nd October 2007 06:15 AM
Nellcote
2nd October 2007 06:35 AM
PartyDoll MEG
Thanks Nelly...Glad I caught that before I hit work!!!
Have a safe trip to Hartford....
Anxiously await your "reports" and who knows maybe you will get lucky enough to be in the front row of the Pit!
2nd October 2007 03:18 PM
PartyDoll MEG
Nelly has arrived in Hartford. He is serving as a GA(general admission/Pit) guinea pig. He sent me this. He obviously got his first bracelet...what I want to see is the 2nd Pit bracelet and a cold beverage in that hand...
Update at 5:30pm..His "number" was chosen for the Pit! Next text was: "What a cluster....." Oh Oh..the masses must not be lining up appropriately
[Edited by PartyDoll MEG]
2nd October 2007 07:01 PM
PartyDoll MEG
Damn!!! Nelly better not whine too much about the lines he stood in. Look where the hell he is standing!!!!
2nd October 2007 08:53 PM
PartyDoll MEG
Too bad it isn't the Stones..but Hey, I'll take Bruce!!
Got to listen to Magic, Living in the Future, and Promised Land!
Good Photo Nelly!!
Setlist(from Backstreets):
1. Radio Nowhere-with music box as prop rising from the stage
2. Ties That Bind
3. Lonesome Day
4. Gypsy Biker
5. Magic
6. Reason To Believe-caller said it ROCKED!
7. Night
8. She's the One
9. Livin in the Future
10. Promised Land
11. Town Called Heartbreak
12. Darkness on the Edge of Town
13. Darlington County
14. Devil's Arcade
15. The Rising
16. Last To Die
17. Long Walk Home
18. Badlands
Encores:
Girls in their Summer Clothes
Thundercrack
Born to Run
Waiting on a Sunny Day
American Land
[Edited by PartyDoll MEG]
2nd October 2007 09:30 PM
fireontheplatter
quote:PartyDoll MEG wrote:
From 9/28/07 Rehearsal:
why is he ending this song the way it should be played at the beginning?
3rd October 2007 01:56 AM
BONOISLOVE
I just love the Ghost Of Tom Joad.
3rd October 2007 02:08 AM
glencar
Reason To Believe - the old Rod Stewart song?
3rd October 2007 02:20 AM
Left Shoe Shuffle
quote:glencar wrote:
Reason To Believe - the old Rod Stewart song?
No.
Last tune on Nebraska .
3rd October 2007 09:39 AM
Nellcote
Great show last night.
Bruce will be the tour of the year, even if very abbreivated. Band was tight. Some missed items for a tour opener, they are still finding their way.
Energy was endless.
Reason to Believe was a stopper.
Darkness was a surprise audible.
Nils had many issues with his guitars
I still look @ Van Zant and think of how/if he killed Aide from the Sopranos.
The whole pit thing before the show was a bit unorganized, however, how could I complain?
I ended up 40th out of 170 who got into the pit, out of a potential 600 who had wristbands.
It will get better as the tour moves on.
Thanks to Meg for channeling these photos, I've got a few more later....
Get a ticket on the floor, or even behind/side stage, as it's a completely open stage, like No Security was...
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