| December 5th, 2005 04:35 PM |
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| Rizollin |
I'm wondering what you all think is the best live version of this? I gotta say this song has one of the Stone's best guitar solos, but I think they could have done more with it on Black and Blue (should have been louder and longer). The solo on Live in Lyon is even shorter. So is there any live boot or alternate studio take available where they just play the fuck out of it?
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| December 5th, 2005 05:46 PM |
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| texile |
ive got that version from the black and blue sessions - its harder and funkier than the studio version - although the vocals were incomplete...
always sounded like a very good cross between the ohio players and war...an excellent combination for a bunch of white boys.
love that middle break with those minor chords....
jazzy. |
| December 8th, 2005 12:05 AM |
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| gypsymofo60 |
Despite the feedback. 'ORDER IN THE COURT' |
| December 8th, 2005 02:42 PM |
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| texile |
quote:
gypsymofo60 wrote:
Despite the feedback. 'ORDER IN THE COURT'
earl's court, 76? |
| December 8th, 2005 03:07 PM |
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| gustavobala |
yes....in london, may, 1976 |
| December 8th, 2005 03:21 PM |
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| Saint Sway |
I love this song. Its chaotic but fun. Which is the case with all their great juiced up and sloppy classics.
B&B is one of my favorite records. Theres stuff on their that really rocks hard. Great guitar album.
it was actually culled together a bit like Bridges & Bang, but actually sounds more cohesive. Maybe its the 8 tracks, less is more approach.
I wish the songs from Blue got more play and recognition |
| December 8th, 2005 04:19 PM |
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| glencar |
This is one of Mick's goofiest lyric/vocal jobs ever. I like the song sometimes but really, there's so much better stuff out there. |
| December 8th, 2005 06:08 PM |
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| crb69 |
SHAKE IT UP NOW!!!!
One of the best groovin' Stonez tunesz around!!!
More Black than Blue on that CD... |
| December 8th, 2005 06:09 PM |
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| crb69 |
PLAY GUITAR...THEN YOU'LL REALLY GET IT!!!! |
| December 9th, 2005 08:26 AM |
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| gustavobala |
from www.timeisonourside.com
Come si chiama (it´s a italian or spanish?)
Bate las caderas
Mueva las carreras
Just a momentita
hey negrita
this is the most latin music of stones....lol
i said to my daughter (with 5 months) when she calls me: JUST A MOMENTITA...lol
Hey Negrita
Composers: Mick Jagger & Keith Richards (Inspiration by Ron Wood)
Recording date: April, October & December 1975
Recording locations: Musicland Studios, Munich, West Germany & Mountain Recording Studios, Montreux, Switzerland
Producers: The Glimmer Twins
Chief engineer: Keith Harwood
Performed onstage: 1976
Line-up:
Drums: Charlie Watts
Bass: Bill Wyman
Rhythm electric guitar: Keith Richards
Lead electric guitar: Ron Wood
Lead vocals: Mick Jagger
Background vocals: Keith Richards, Ron Wood & Billy Preston
Piano: Billy Preston
Organ: Billy Preston
Percussion (incl. maracas & tambourine): Ollie Brown
I say Hey negrita, hey now
Move your body, move your mouth
Shake, lady, way down south
Shake, baby, in your home town
Come si chiama, what's your your game?
I'm just a poor man, what's your name?
Shake your body, do it up now
Shake your body, move it up now
Hey negrita, hey now
Hey conchita, shake it up now
Ah yeah, do it up now
Mueva las carreras, do it up now
Flash of gold in your ears, child
Flash of gold in your eyes
Saw the gleam in your mouth
Saw the steel in your thighs
Bate las caderas, do it up now
Just a momentita, not so fast
I need money for my sweet ass
I say, "Listen I'm a poor man, my pay is low
Here's one last dollar and then we go"
"One last dollar?"
She say "I've got my pride
I'm going to cut you balls, boy
I'm going to tan your hide"
Hey negrita, hey now
Hey negrita, do it right now
Come on, boys
Ah shake it up
Shake it up now
Hey negrita, hey now
What I say?
TrackTalk
That number came about from Keith and I in a hotel, you know... idea swaps. And it eventually came around to, What was that one you were working on, Woody? So I thought, Oh, great, here's my chance. I immediately made up this riff.
- Ron Wood, 1982
All of us, independently and together, were into reggae, and it was also a mood of the time. I had this particular lick that I took into the studio and the others said, What are we going to start with? and I said, I've got this song. Charlie was sitting behind his kit, so he was already into it and then Keith and Mick both got into the motion of it. That was Hey Negrita, which came together very easily. The key to getting a song across in this band is never to try and write all the words. If you've got the rhythm, you're lucky! Let Mick write the words and then you're in with a chance.
- Ron Wood, 2003
Hey Negrita. It's a compliment. I mean, it's not a put down. I mean, what's the problem, the Hey part? No, I think hey will get past. What, you think colored people won't like it? Well... only the most sensitive ones. It's about South Americans, that's just what you say, you know? You say, hey negrita... one negri... negrota... you say to a lady one, a lady negress... hey negrita! In fact, it's been done, been said to my old lady (Bianca de Macias), you see?
- Mick Jagger, 1976 |
| December 9th, 2005 09:18 AM |
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| waaghals |
I love this song a lot, but it reminds me a lot of track on Bo Diddley's LP "Where it all began",. I think the name of the track was "Hey Jerome"!
Ronny Wood was inspired by BO's riff when they wrote the song! |
| December 9th, 2005 01:01 PM |
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| texile |
quote:
crb69 wrote:
PLAY GUITAR...THEN YOU'LL REALLY GET IT!!!!
true - playing that riff over and over again is addictive...
great groove.
i like to play around with it and make it even funkier. |
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