| January 24th, 2006 02:56 PM |
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| Maxlugar |
[quote]Joey wrote:
The Rolling Stones will soon make their first appearance in Omaha , NE since 1966
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| January 24th, 2006 02:57 PM |
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| nankerphelge |
Joey?
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| January 24th, 2006 03:08 PM |
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| Joey |
quote:
Maxlugar wrote:
[quote]Joey wrote:
The Rolling Stones will soon make their first appearance in Omaha , NE since 1966
Maxy ?!?!
קריאתו של יו"ר הליכוד, ח"כ בנימין נתניהו לסיעות הכנסת לתמוך בתקציב המדינה למרות חילוקי הדעות ביניהן עשויה לפתוח פתח לפוליטיקה בריאה ובוגרת יותר.
למאמר
10.01.06
המְקַפדים בע"מ
ניסיון לרדת לשורשיה של הביביפוביה בשמאל ובאמצעי התקשורת
5/1/2006 שרית ילוב, מקור ראשון
שלמה נחמה: "אין חשש לחוסנו של המשק""
05.01.06
נתניהו בכנס פעילים בירושלים : יש דרכים להפסיק הקסאמים
4 ינואר 2006 / ד' בטבת תשס"ו
ביבי - הכי חברתי שיש
נרי אבנרי 17.12.05
בתום שלוש שנים בתפקידו כשר אוצר השאיר נתניהו מצב כלכלי הפוך מזה שקיבל: המיסים והאבטלה ירדו, הצמיחה מעוררת התפעלות בכל העולם, הקופה גדושת מזומנים בכל מדינה נורמלית שר אוצר כזה היה זוכה להערכה, לתקשורת טובה, להערצת המונים. אז איך זה שביבי מוקף משמיצים? התשובה פשוטה: במחוזותינו הכל אישי
למאמר
הלמ"ס: הצמיחה ב-2005 עלתה ל-5.2%
נתניהו: ביצעתי כפי שהבטחתי
1.1.2006
סקר בחירות, חפש את ההבדלים, היום ולפני 9 שנים
27.11.2005
בנימין נתניהו, כי אין ברירה אחרת
20.10.2005
נתניהו: "מכבד את ההחלטה
כ"ב באלול תשס"ה, 26 ספטמבר 2005
נתניהו הוא האישיות הפוליטית המשפיעה ביותר
12.08.2005 ,אמנון לורד מקור ראשון
עורך "מעריב" מתרעם על החד צדדיות של התקשורת כלפי נתניהו
ספטמבר 2, 2005
מבזקי חדשות 2005
כל מה שרצית לדעת על נתניהו והתקשורת מנסה להסתיר.
דפי האינטרנט מהפרימריז ב- 2002 בין שרון לנתניהו
לקראת הבחיות שנערכו ב- 2003 כל מה שאמרנו קרה, ועוד יותר גרוע
מכתב ההתפטרות של נתניהו
07.08.05/ ב' אב, תשס"ה
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מכתבים מגולשים לבנימין נתניהו
נתניהו יש להציג לא את מעלותיך כי אם את מגרעותיהם של מתחריך
גרציה ברכה 29/11/05
נתניהו צודק. גם ב- 1995 משק שהוא קיבל היה על הפנים.
miri 23 nov 2005
התקשורת מגוייסת למען שרון
חיים , נהריה 22.11.05
התפוררות הליכוד ותבוסת ביבי - סכנה למחנה כולו
יניב כ' בחשון תשס''ו 22.11.05
למכתבים נוספים
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מהארכיון
הלמ"ס: המיתון נגמר - צמיחה של 4% ב-2004
ynet, 18/10/04
נתניהו: נהיה בקרוב מהכלכלות החופשיות בעולם
17 May 2004 ynet
שר האוצר: בעלי השכר הממוצע (7,000 שקל) והנמוך במשק יקבלו180 שח לשכר הנטו. הפחתת המסים על תשומות בענף הבניה והפחתת מס החברות בתוך 4 שנים
יוסי גרינשטיין , מעריב 04/04/04
נתניהו יקבל בהולנד תואר של "מנהיג עולמי"
מוטי בסוק The Marker, 29/03/2004
נתניהו: יתכן שנוריד עוד מיסים השנה
ynet, 13/02/04
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הלמ"ס: המשק הישראלי צמח ב-1.2% בשנת 2003
הארץ, 31/12/03
לא יהיו עוד קצבאות
28.12.2003 בנימין נתניהו The Marker
קודם בטחון, אחר כך כלכלה, ואחר כך שלום.
דברי שר האוצר
....................................
[Edited by Joey] |
| January 24th, 2006 03:12 PM |
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| Joey |
quote:
nankerphelge wrote:
Joey?
Nanky ?!?!
[Edited by Joey] |
| January 24th, 2006 03:15 PM |
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| Maxlugar |
[[quote]Joey wrote:
appearance in Omaha
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| January 24th, 2006 03:16 PM |
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| Joey |
quote:
Maxlugar wrote:
appearance in Omaha
Maxy ?!?!
.....................................................
[Edited by Joey] |
| January 24th, 2006 03:41 PM |
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| pdog |
quote:
Joey wrote:
Pdog !!!
[Edited by Joey I'm Somebody Special]
I look good !!!
Jump Back ...
Turn Around !!!
Kiss Myself ...
Hot Tub !!!
Make Me Feel All WET ... |
| January 24th, 2006 03:45 PM |
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| Dick Bush |
quote:
Joey wrote:
I am now so excited that I am typing this with my nipples
You got them hard and puffy??!
Why is that???
Is there Laura out there these days?!?
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| January 24th, 2006 03:59 PM |
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| pdog |
I'm typing with my penis on their nipples.
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| January 24th, 2006 04:05 PM |
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| lotsajizz |
a nod's as good as a wink...eh
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| January 24th, 2006 04:23 PM |
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| stonedinaustralia |
my turn
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| January 24th, 2006 04:48 PM |
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| M.O.W.A.T. |
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| January 25th, 2006 12:00 PM |
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| Joey |
You all make young Joey ..........................
...................................................
[Edited by Joey] |
| January 25th, 2006 02:37 PM |
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| Lil Brian |
Where's Johnny Carson and Ed McMahon?????????????????????
Bill Wyman, "A Stone Alone" 1990
We flew to Omaha, Nebraska with Andrew. A crowd of about 200 fans greeted us and police escorted us to the press conference. Keith said: 'We really felt like a sore pimple in Omaha.' We did a local TV show before our concert at the Music Hall in the City Auditorium.
There we ran into problems: these were the days of Scotch and Coke as the pop stars' favorite drink. A cop who looked in the dressing-room and saw a whisky bottle made us pour it, together with all our other drinks, down a sink. We were livid. Keith said: 'The thing was, i was only drinking Coca-Cola. I refused to pour mine away thinking, why the fuck was an American cop telling me to pour the national drink down the bog? The cop pulled a gun on me. A very strange scene, a cop ordering me at gunpoint to pour a Coke down the john.'
We played to about 1,500 fans, who gave us quite a good reception. Robert McMorris of the Omaha World Herald said: 'When the Rolling Stones cut loose at their show, many of the audience lost their inhibitions. The sparse but vocal audience was composed mainly of teenage girls who turned into a screaming, jumping mob as they clamoured for a closer look at their idols. To us older folks the first Rolling Stone who poked his shaggy head through the curtain was a sight that belonged to a science-fiction movie. The guitar player came out in a kind of crouch. He maintained this stance throughout the concert. He stared at the crowd with furtive, almost hostile eyes. Was this the creature from the black lagoon? He was followed on stage by four seedy, unlikely-looking heroes and the screaming soared to new heights of delirium.'
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| January 25th, 2006 02:39 PM |
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| Lil Brian |
from "Rolling Stones; An unauthorized biography in words, photgraphs, and music" 1972
More Keith on Omaha:
"The only thing that went down heavy there was a cop scene. It was then I realized what Lenny Bruce was talking about. We were sitting back in the dressing room. First time in Omaha in '64. Drinkin' wiskey and Coke out of cups, paper cups, just waiting to go on. Cops walked in. "What's that?" 'Whiskey.' 'You can't drink whiskey in a public place.' I happened to be drinking just Coke actually. "Tip it down the bog'. I said, 'No man, I've got Coca-Cola.'
'I look up and I've got a .44 lookin' at me, right between the eyes. Here's a cop, tellin' me to tip Coca-Cola down the bog. Wouldn't be there if it wasn't for Coca-Cola. But that's when I realized what it could get into."
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| January 25th, 2006 02:40 PM |
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| Lil Brian |
Bill Wyman's "Rolling With the Stones" 2002
Later that night (Omaha) the Hollywood Palace Show we had recorded with Dean Martin was on TV and we were furious at the way they had portrayed us. Mick immediately got on the phone to London, and screamed at Eric for booking our appearance. As we became popular in American, they re-ran the complete spot many times, substituting comperes who said more favourable things about us. In truth, we had the last laugh. On a later US tour, Brian had an affair with one of Dean Martin's daughters.
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| January 25th, 2006 02:42 PM |
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| Lil Brian |
The Rolling Stones: The First Twenty Years
KEITH: "Nebraska. We really felt like a sore pimple in Omaha. On top of that, the first time we arrived there, the only people to meet us off the plane were twelve motorcycle cops who insisted on doing this motorcade thing right through town. And nobody in Omaha had ever heard of us. We thought, 'Wow, we've made it. We must be heavy.' And we get to the auditorium and there's 600 people there in a 15,000-seat hall. But we had a good time.
"That's what stopped us from turning into pop stars then, we were always having those continual complete sombody hittin' you in the face, 'Don't forget, boy.' Then we really had to work America and it really got the band together. We'd fallen off in playing in England 'cause nobody was listening, we'd do four numbers and be gone. Don't blink, you'll miss us.
"Some towns you went into on the first tour they'd look at you with a look that could kill. You could just tell they wanted to beat the shit out you."
BILL: "We were always amazed that people hated us. I think they never realized that while they were afraid of us, we were just as afraid of them."
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| January 25th, 2006 02:44 PM |
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| Lil Brian |
"According to the Rolling Stones" pg. 73
CHARLIE: America was a joke when we arrived, but by the time we left we had an audience and by the time we came back we had made a hit record there. It was uphill, but the audience grew every time.
When I first went there I wanted to go to New York and Birdland and that was it. I didn't care about the rest of America. New York was the home of what I dreamed I wanted to be, which was a black drummer playing in 52nd Street. Of course, I'm not black and the scene had gone by the time I got there, but New York was still a very hip jazz centre. One the first bands I saw when I got to New York was Charlie Mingus's, with Danny Richmond on drums, and Sonny Rollins had just come out of hibernation and had his trio. Those were the days when Sonny used to start playing in the dressing room and then play to the walls all round the stage. It was fantastic.
I thought every jazz musician I liked came from New York, but of course they didn't, and then I came to Los Angeles later and I liked LA too-we used to practically live there at one time in the 60's; we'd be recording or something for three months of the year. I do remember San Antonio, because we met Bobby Keys and the Beach Boys at the State Fair show there. Then I went to Chicago and fell in love with Chicago as well.
And we did some recording at Chess. Everyone the band loved had recorded there. Thank God we did go there, because we got a great engineer called Ron Malo. Keith still plays a Chuck Berry record every night in the dressing room. It's not something he does religiously, it just happens there are five records there and one of the best is a collection of Chuck Berry songs. I listen to it and still think, "Bloody hell".
When we went there Marshall Chess took us to see where they had the racks with all the albums they produced. I was interested in the jazz stuff-all the Argo label material-people like Al Grey and Ahmed Jamel. In those days there were some great jazz clubs in Chicago-the Persian Room and the Alhambra-and some great players.
I met a young drummer there called Maurice White, who was playing with an organ player and an albino guitar player, called Speckled Red, or one of those sort of names. I remember them being in this tiny room and the fantastic sound coming out of it and the lovely little drum kit Maurice was playing. It was a thrill meeting people like Muddy Waters, of course, but I was also looking for Vernell Fournier and Freddy Below-people like that.
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| January 25th, 2006 02:45 PM |
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| Lil Brian |
Stones Wax 15 Sides At Chuck's Studio
NMExclusive reports from America... By Bill Wyman
pg. 19 NME 19, June 1964
What a fabulous day it was for us last Thursday in Chicago. It started off weirdly in the morning with a press conference. Nothing peculiar about that, perhaps -except this one was in the middle of the main street!
We got a big crowd, until we were moved on by the police with guns, so we didn't argue. Anyway, we hit all the papers and TV shows, so it worked.
That afternnon we paid our second visit to the Chess label's recording studios. We visited them the day before and cut four tracks, including our next single, 'It's All Over Now'. It was a big thrill for us to be recording in the same studio used by Muddy Waters, Chuck Berry, and Bo Diddley.
FUNNY!
What a funny country America is!
We had a whole day off in San Antonio, Texas. In the afternoon we went shopping downtown, and saw the Alamo. Things haven't changed much since the Alamo days, because there is a bit of feeling (to put it mildly) between the Texans and the Mexicans here.
This particular day 15 Mexicans were shot-so we didn't stay long!
Back in Chicago we also did a radio show and TV interview, but then went to bed. We were advised not to go down the South Side area of Chicago (where all the rhythm and blues clubs are), as there were bad scenes between the Negros and the whites. As I say, what a funny country this is!
We did a ballroom date in Minneapolis which was organised only two days before. Nobody had heard of us, and the reaction was complete disbelief and curiousity.
On our way to Omaha we stopped off at Sioux Falls and Sioux City, but didn't see any Sioux Indians. I think they've locked them up all by now!
We did a teenage TV show, and all the kids were doing similar dances to the English kids at home. Not like Texas, where they waltz and foxtrot to everything. As I say, it's a funny country.
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| January 25th, 2006 02:46 PM |
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| Lil Brian |
Lillian Roxxon:
'Even at the early, early stage they did their own thing. And their thing was the full slummy English lout barrow-boy gutter-rat routine. Mean, moody and magnificent. While the Beatles looked as if they had been personally scrubbed down by Brian Epstein himself, the Rolling Stones looked as if they had been sent to bed every night for a week with the same clothes on and no supper. The Beatles' songs had been rinsed and hung out to dry. The Stones had never seen soap and water. And where the adorable liitle wind-up Beatle mop-tops wanted no more than to hold your hand, the hateful rasping Stones were bent on rape, pillage and plunder. No one had ever seen a white man move on stage the way Jagger moved. Later, like Elvis, whom he completely overshadowed, he was to become the prototype for stage sexuality, the most imitated singer in rock.'
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| January 25th, 2006 02:51 PM |
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| Lil Brian |
Stones Cut New Single In Chicago
Jack Hutton
Melody Maker, 20 June 1964, pg. 11
In the famous Chess recording studios in Chicago, I sat in the control box and watched The Rolling Stones cut a great new single for the British market.
It's called 'It's All Over Now'. And it goes like mad.
It should create a sensation in Britain, and if it is timed right, it should easily hit the Number One spot. And very quickly too.
The Stones are wildly enthusiastic about the Chess studio. So much so that they decided to cut an LP, and knocked off ten numbers in two days.
The general manager at Chess is Ron Malo, the man who worked on all the hits by stars such as Bo Diddley, Chuck Berry and Muddy Waters.
It was a gas for the Stones to see these famous names written on boxes of tapes in the studio, plus other stars like Howlin' Wolf, Memphis Slim and Little Walter.
The single session was bound to go well from the start. Bo Diddley phoned from New York to wish the boys well, Willie Dixon dropped by to see them and Muddy Waters arrived in time to help the boys carry their guitars upstairs.
After all this the session got underway -right into a verbal punch-up between co-manager Andrew Oldham, Charlie Watts and Mick Jagger about the intro.
Curses flew between them, thick and fruity. Outsiders grew concerned. Then it was suddenly settled with laughs all around.
Take after take came and went. Charlie Watts thrashed away on the drums. Keith bent double as he worked on his swinging guitar solo. And in the cubicle at the back Mick shouted and clapped his hands as he yelled out the vocal.
People from all over the building joined us, and in seconds everybody was moving. Mick and the boys were shaking and twisting.
Even the Stones themselves can't believe the sound they are getting. They are completely knocked out.
That day, Chuck Berry looked in to say, "Swing on gentlemen, you are sounding so well if I may say so."
After the playbacks I walked back into the studio and saw discarded guitars, empty cigarette cartons, overflowing ashtrays, jackets, half-eaten hamburgers and empty bottles.
Ron Malo followed my glance. "Your Stones are really tidy", he said. "You should see some of the messes we get here."
Thanks, Chicago, for two indelible memories. First, hearing the Stones called tidy. Second, the swinging, raving ball we had in Chess studios.
KEITH: Before we went to America it was difficult to record in England. Nobody could record or had recorded the sound we were tryin' to get. People weren't used to that kind of roughness. Everyone in England at the time was incapable: engineers, equipment, producers and to a certain extent musicians. No one could get a really good funky American sound which is what we were after. The best move we could possibly do was get to America as quickly as possible and record there. (Barbara Charone)
BILL: When we recorded at the Chess studious in Chicago, we had Ron, the guy who engineered all the Chuck Berry , Bo Diddley and Howlin' Wolf records. He knew exactly what we wanted and he got it almost instantly. (Go-Set, June 3, 1972)
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| January 25th, 2006 02:52 PM |
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| Lil Brian |
Wyman's "Rolling With the Stones"
SET LIST (the repertoire included)
"Route 66" -usually the opener
"Not Fade Away"
"I Wanna Be Your Man"
"High Heeled Sneakers"
"I'm All Right"
"I Just Want To Make Love To You"
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| January 25th, 2006 03:11 PM |
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| Joey |
" He stared at the crowd with furtive, almost hostile eyes. Was this the creature from the black lagoon? He was followed on stage by four seedy, unlikely-looking heroes and the screaming soared to new heights of delirium.'"
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| January 25th, 2006 03:31 PM |
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| Lil Brian |
I'm so excited. I'm typing with incredible speed and accuracy. We want the Stones! |
| January 25th, 2006 03:32 PM |
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| Joey |
quote:
Lil Brian wrote:
I'm so excited. I'm typing with incredible speed and accuracy. We want the Stones!
I am now so excited that I am typing this with me penis |
| January 25th, 2006 04:06 PM |
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| Lil Brian |
quote:
The Rolling Stones: The First Twenty Years
KEITH: "And we get to the auditorium and there's 600 people there in a 15,000-seat hall...
Is he confusing '64 with '66? The Music Hall is quite small. It's still there, practically across the street from the Qwest Center. |
| January 25th, 2006 04:14 PM |
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| Lil Brian |
quote:
from "Rolling Stones; An unauthorized biography in words, photgraphs, and music" 1972
Keith on Omaha: "I look up and I've got a .44 lookin' at me, right between the eyes.
That sounds like an Andrew stunt. Did that really happen? |
| January 25th, 2006 04:16 PM |
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| Joey |
quote:
Lil Brian wrote:
That sounds like an Andrew stunt. Did that really happen?
There is no truth ............................
...only the Joey !!!!
The Joey , Established 1999 ® |
| January 25th, 2006 04:35 PM |
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| Lil Brian |
(rubbing lamp) Joey, what will we get in Omaha? |
| January 25th, 2006 04:39 PM |
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| Joey |
quote:
Lil Brian wrote:
(rubbing lamp) Joey, what will we get in Omaha?
Loaded ....................Oh ,OH !!! :
********** ABRUPT END TO TRANSMISSION *********** |
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